The eulogy

When Dad got sick, we decided to chronicle his last few months on the Internet. Little did we realise that Geoff’s Little Gems would become a virtual eulogy to our father. It’s where so many of his friends spent time reading and contributing their own stories of Geoff.
We don’t want to dwell on the sadness or loss we feel because he wouldn’t want that. Dad was a man of celebration… and celebrate him we will.
We agonised how to tell you who dad was. We didn’t want to give you a biography of his life – too predicable, too contrived we could almost hear him say. So we decided to focus on the stuff of the man. The elements that fused together to make Geoffrey George Gibbs memorable. Dad was many things to many people. He was a father, a friend, a colleague, a teacher and an arts practitioner. He took each of these roles very seriously and it would be remiss of us not to highlight each for you here today.
When Dad got excited he would rub his hands together and shine sunbeams. This would happen when he greeted friends, over a plate of chockies or pewsey puffs, or when he was about to do something fun. On dad’s last trip to Sydney we sat together watching the original Broadway recording of Sweeney Todd.
Suddenly I’m 11 in New York watching Angela Lansbury singing” Nothing’s Going to Harm you not while I’m around.” Dad took my hand and gave it a little squeeze and we shared that shy moment when you know that a song reflects how you feel about each other. Geoffie was an actor, a friend, a teacher. But to us, his greatest role was that of being a husband to Carole, a father to Paige, Nathan and I, a father-in-law to Tash, good friend to Paul and grandfather to Otto and baby Ginger.
Our upbringing was warm, loving, spontaneous and often funny.
On family holidays we didn’t play eye-spy but name that musical. Years later this training actually assisted us to sweep the pool at pub trivia nights every time there was a Musical question. When we had birthday parties Dad would take the whole class to Godspell, or hired the reel to reel movie of The Sound of Music. We were so used to dad rehearsing lines that when our friends visited we would forget to tell them and they’d think he was mad. Our childhoods were full of music, dance, actors, laughter and imagination. Then Dad took us to America and provided an education that changed our lives and broadened our minds.
In our teenage years Dad was always looking out for us. His booming voice would convince suitors to wash the dishes whilst they were waiting to take us out. Once when I had a particularly painful break-up a large bunch of flowers arrived at the door. With a card saying “to my daughter a beautiful young lady who I am very proud of”. He loved driving us to exams. Locked in the car with no way out, Dad would start what we call the “champions speech” It would start with “you know that you are a champion”. Even today before I started this eulogy I heard his voice saying that phrase.
Dad loved mum. He loved her gentle nature, loyal support and ladylike elegance. He also loved her ability to be a great mother, organiser and friend. Together since they were eighteen, in their private times we would catch Dad giving mum a look with his gentle blue eyes that bathed her in the essence that is pure love. They did everything together, routine tasks were never dull, dad would take mum’s hand and make them adventures always ending in coffee and cake.
Dad taught us to be brave, live large, be creative, be generous, help others, stand by your convictions, laugh, cry and hug… but most of all, he taught us that we could make anything happen because he constantly did.
Dad was a devoted, loyal and generous friend. His circle of friends stretches across countries, continents, races, religions and cultural backgrounds. He maintained strong friendships that dated back as far as school through his mates Barry Maund and Bill Hicks – not to mention “the bridesmaids”. His mates from his days at Claremont Teacher College Murray Lake and Rod Underwood became devoted friends. His University buddies from Ohio State have followed him around the Globe. His arts comrades were both supportive and inspirational. Dad’s flotilla of doctor mates always ensured he was in the best hands. He made friends in moments and kept them for a lifetime. A testament to Dad’s reach is that the notices in the paper included entries from his favourite fish and chip shop and his pet food supplier. No matter who he was with, he always showed a genuine interest in their story and their lives. He went above and beyond to help friends in need but did so quietly without fuss or need for recognition. We often joked that our parents had a better social life than us and that is partly because Dad loved people. His merry band of dog walkers tell the story that before Dad, they would politely nod to each other in the park – since Geoff, they not only meet every morning but Dad had them going to the theatre. His love of life and people was infectious. Many a time we would be embarrassed by his antics – asking of a discount for Catholics, jumping the queue at restaurants in the States by saying the Australian Embassy had made the booking, holding the back of actors’ costumes just as they were about to make an entrance, writing 100s of anonymous postcards – some of a rather dubious nature – and sending them from the far flung places he and Mum would visit around the world. I know many of you were recipients of multiple postcards over the years. Ruben Kooperman even goes as far as carrying his around with him.
In his later years he would plan elaborate trips to exotic locales and invite his friends on the proviso that in the days, they were free to do as they will but the nights were his domain. This meant night after night of theatre – his one great love. His passion.
Those of you who have had the privilege to work with our father on stage will know what a talented artist Dad was. When Dad was younger – and at the hey day of the much missed National Theatre – dad would juggle a full time job as Head of Drama at Claremont Teachers College with treading the boards six times a week and being a father and husband. In his time, he played some remarkable roles – the ones he was most proud of were King Lear at Ohio State University, the title role in Essington Lewis I am Work – directed by his dear friend Aarne Neeme, and his last role as Tyrone Power in Long Days Journey Into Night, directed by fellow Kalgoorlie born and bred thespian – Ray Omedei.
Even if you weren’t fond of Dad’s performances, there was one role where you could not fault him. He was a remarkable audience member. If Dad laughed, others followed, when he clapped, it was like Zeus smacking the thunder clouds together. He could take a lukewarm crowd and turn them around just by being in the audience. The positive energy he projected was blinding. It a lesson we have learnt well and always approach theatre with the same interactive generosity. Nathan tells us that Geoff’s grandson Otto has the makings of a master clapper.
He was at times a controversial and outspoken critic of the arts. We’re sure many an actor shuddered when they knew Gibbsy was reviewing their work – as he did for the West Australian in later years. But he was also a champion of West Australian arts. He never subscribed to the idea that arts in this state should be mediocre or second rate. He measured talent universally not parochially. He went into battle for the Arts with politicians, financiers and funding bodies. He spearheaded the charge to reinvent the East Perth Power Station into a multipurpose cultural, arts and residential precinct – a battle that’s not over if he has anything to do with it. In the later part of his life, he worked tirelessly on behalf of the incredible Mr Handa and the International Foundation For Arts and Culture assisting artists with project funding. And then there’s the Academy.
Dad often said the one thing that he would like to be remembered as was a good teacher… and the Academy was his proudest achievement. Over the past few months 100s of well wishes have been pouring in from ex-students dotted around the globe. We’ve had messages from London, Russia, LA and New York. Past students have applauded his passion, his expertise, his management skills, and his discipline but one comment was reiterated again and again – his all encompassing hugs. Dad loved hugging people. His hugs were enfolding, joyous, heartfelt. Many a student has commented on how good they felt when Dad clasped them to his chest and squeezed the air out of them – it was the best review he could give.
He was a big believer in employing the best of the best at the Academy. Many a bright light was enticed Westward by Dad to take up teaching roles. Dear friends like Aarne Neeme and John Milson took up the challenge. Others followed that became dear friends and pivotal players in Dad’s plan to make the Academy the number one performing arts school in Australia. There were many vintage crops that came out of the Academy – both on the acting and teaching side.
Two standouts that soon became firm fixtures at our dinner table were Lisle Jones and Richard Gill. Dad loved these guy’s. Lisle was his trusted lieutenant and Richard, was Dad’s colleague, fellow Dean, co-conspirator and friend. They shared a life long love of the arts and each other. When Dad found out he was sick, he said the hardest person to tell was Lisle. Such was his devotion to him. And in the final week of Dad’s life, Richard called daily. We’d hold the phone to Dad’s ear and we could hear Richard singing light opera down the line.
Dad has received many accolades and awards over the years but none made him as proud as his Order of Australia AM. It was recognition for his contribution to the arts but it also represented the efforts of his friends and colleagues who made it happen. And that’s the real recognition that counted for him. Dad survived long enough to receive word of one final acknowledgement. And I can tell you this news brought a smile to his face. So I’m happy to unofficially announce that the main theatre at The West Australian Academy of performing Arts is going to be renamed the Geoff Gibbs Theatre. How fitting it is to have a lasting reminder of the man at the place where he did his best work. The place he championed, the place he took from potential to powerhouse. The place where my kids will forever see their Grandfather’s name in lights.
When we were in the hospital just over a week ago, trying to make the decision whether Dad should stay or be brought home, a single white fantail dove, landed outside his window and walked up and down. We all saw it. It didn’t fly away. It simply moved out of view. It was the most beautiful sight and we took it as a sign that no matter what our decision was to be – Geoffrey George was being looked after. It also gave us the strength to bring dad home to end his time surrounded by his friends, family, dog and garden. The few days Dad had at home were never solemn, never silent – the house was filled with laughter, music, wine, shared meals and private moments. That’s how he would have wanted it. Some of you know the story of Dad’s final moments, but it bears repeating. He was surrounded by all of his family including the newest, youngest member, his beloved granddaughter, Ginger Lightly Monaghan Gibbs. Just before Dad took his last breath, tiny Ginger let out a giggling gurgle as if she’d been tickled. We like to think of that sound as Dad kissing her on the head as he moved on. Telling her as he always told us that it’ll be alright love. And it will be. Perhaps not today… but it will be because Dad always kept his promise.


